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Falla: Solo Piano Works

Release date: 22 Jul 2016, LDV27

Artists

Wilhem Latchoumia

Composers

Manuel de Falla

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YOU HAVE SELECTED:  Duration Price Price Price Price  
Manuel de Falla: Cuatro piezas españolas 14:56   $
I. Aragonesa 02:55   $
II. Cubana 03:43   $
III. Montañesa (Paysage) 04:19   $
IV. Andaluza 03:59   $
Manuel de Falla: Homenaje "Le Tombeau de Claude Debussy" 3:18   $
Homenaje "Le Tombeau de Claude Debussy" 03:18   $
Manuel de Falla: El Sombrero de tres picos 9:29   $
I. Danza de la Molinera 03:51   $
II. Danza de los Vecinos 03:27   $
III. Danza del Molinero 02:11   $
Manuel de Falla: Canto de los remeros del Volga 3:14   $
Canto de los remeros del Volga 03:14   $
Manuel de Falla: El Amor brujo 16:07   $
I. Pantomina 05:27   $
II. Escena 01:00   $
III. Canción del fuego fatuo 01:31   $
IV. Danza del terror 02:09   $
V. Romance del pescador (El circulo mágico) 02:02   $
VI. Danza ritual del fuego 03:58   $
Manuel de Falla: Pour le tombeau de Paul Dukas 3:50   $
Pour le tombeau de Paul Dukas 03:50   $
Manuel de Falla: Fantasia Baetica 12:24   $
Fantasia Baetica 12:24   $
Manuel de Falla: Serenata andaluza 4:56   $
Serenata andaluza 04:56   $
Manuel de Falla: La Vida breve 3:29   $
La Vida breve 03:29   $
 

Album Spectogram

Album information

Manuel de Falla’s first instrument was the piano. The four landscapes in sound of the 'Cuatro piezas españolas' pay tribute to Isaac Albéniz. Starting out from the black-and-white keyboard, he imagined the colours of his orchestra – vivid, dry, crackling like an immense ensemble of timbral percussion. The ascetic precision of de Falla's musical thought is embodied in the 'Fantasía bætica', ruled by a murderous sun, but his creative imagination also reconstituted the neo-Baroque tone of 'El sombrero de tres picos' in instrumental writing that harks back to Scarlatti. Yet this pianistic world is above all that that of Gypsy Andalusia. When the composer decided to make a digest for piano of the original version for small orchestra of 'El amor brujo' that did not limit itself to the brio of the Ritual Fire Dance, the result was a genuinely theatrical piece, sublimating the whole culture of cante jondo, transporting the listener into the magic circle of flamenco, piano-guitar, piano-voice. Wilhem Latchoumia’s brilliant and profound playing illuminates every aspect of this immemorial and multiple Spain.

Falla: Solo Piano Works

Category Solo Instrumental

Period Early 20th

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